They are strength, courage, mastery, and honor. Porter gets the monologue that tells us how scary Sikes is - words like “unmatched” and “maximum effectiveness” are used - and which concludes, oddly, with the information that Sikes “doesn’t drink, do drugs, or sleep around.” (At least screenwriter Michael Winnick, who also directed, didn’t try to get away with “or overeats. Classical honor breaks down into four main components or tactical virtues. (Only the movie’s few women, it seems, mostly strippers, get to be skinny.)Ĭheck out our complete summer movie guide > On his case is hulking, perpetually squinting Louis Mandylor’s beleaguered detective, and a former colleague of Sikes’ named Porter, played by an alarmingly bloated and sallow Craig Sheffer. Cardsharp Jack Cardigan decides to go straight when he meets Doris Bradfield, but is forced to use his talents on behalf of her dad, whose land-grant title has fallen into the hands of Jed Harden through the gambling weakness of Bradfields son Tom. He plays Sikes, an ex-special forces operative - one imagines his specialty was being used as a battering ram - who turns into one crime-infested town’s “supervigilante,” mowing down drug deal participants and blowing up mob hangouts from distances that, one presumes, preclude having to outrun anyone. With Mahlon Hamilton, Doris Hill, Robert Graves, Stanley Taylor. In the laughably awful “Code of Honor,” Steven Seagal continues his campaign to make minimal onscreen movement, alarming chunkiness, and slurred, whispered threats in a weird Southern drawl, into the greatest assault on disbelief suspension in action filmmaking.
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